
Completed in 1942, the painting was an immediate success and was purchased right away by the Art Institute of Chicago, where it still resides. Hopper himself considered it one of his best works: "It is, I believe, one of my very best things I have painted. I seem to have come nearer to saying what I want to say in my work, this past winter, than I ever have before."

The painting is the perfect statement on the isolation that is part of modern life. These are worn-down New Yorkers, alone in the city and even in the diner. There is no interaction among the figures. There is also no visible way in or out of their space. We are alone on the outside, looking in but unable to gain access.

Hopper was a master of lighting effects in his paintings. (And Thomas Kinkade can go suck it.) Here, the gloom of the street is offset by the bright, almost harsh lighting of the diner.

The Second Life 3D recreation of Hopper's painting effectively shows something easy to miss when looking at the original. Hopper uses an imperfect perspective that draws the viewer's eye back to the figures in the diner. Hopper loved movies, especially film noir, and his use of dramatic perspective reflects this love.

If late at night you are looking for a cuppa joe and want to go somewhere where everybody doesn't know your name and doesn't care, head to Primtings to step into Hopper's painting. Tell them Nikk sent you. They won't care.
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